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The second issue of the GENEROSITY series is devoted to strategies of domestic exterior space.
The different degrees of domestic exteriority were modulated over time through openings or closures, with one defining moment, when the envelope was released from its load bearing functions.
From a distance, the modernist façade has multiple readings and Le Corbusier’s thick diaphragmed ‘fourth wall’ is not the same as Mies’ fine curtain wall.
Contemporary domesticity plays with the creation of thresholds to extend the liveable domain outside the envelope.
The three-dimensionality facilitates the construction of liveable spaces within a thick façade.
Works by Caruso St John Architects, Atelier Kempe Thill, Vivas Arquitectos, Henley Halebrown, Schneider Studer Primas, Studio Woodroffe Papa, MIA2, ITCHstudio + Vincenzo Di Salvia, MVRDV, Flint and Duncan Lewis - Scape Architecture.
The Indeterminacy of the Floor Plan is the first issue of the GENEROSITY series, dedicated to the design of collective housing. After the Density series, which warned about the importance of living in a compact and balanced environment, the new series is committed to the generosity of design.
Throughout the entire series, generosity translates into design strategies, identified as:
- Strategies of Indeterminacy: focused on enhancing spatiality and flexibility.
- Strategies of Exteriority: aimed at improving the relationship with the environment.
- Strategies of Privacy: whose objective is to build a protected and own place.
- Strategies of Interactivity: capable of promoting interrelation and cohesion between neighbours.
Not only outskirts, edges, peripheries... but also the continuum, exurbia, the hinterland, periurban areas and the suburbs overlap geographically and semantically. These are the names given to all those indeterminate spaces feeding off the cross flows between city and countryside. To describe the indeterminate in one single word, to pin down the hodgepodge is an impossible venture.
The analysis of this diffuse and increasingly expanded portion of the environment originates a series of.
In 1794, the English landowner Uvedale Price incorporated the concept of the picturesque into the vision of the landscape. His friend, architect John Nash, builds a few years later, just outside Bristol, Blaise Hamlet, a cluster of cottages that recreates rural picturesqueness. Meanwhile, Andrew Meikle invents the threshing machine in Scotland and in America the colonization of the West begins thanks to the Land Ordinance.
Migrations from the countryside to the city have been going on since the beginning of the first industrial revolution and accelerating with the second. The binary city-countryside vision, as opposed sceneries, increases and grows between them an intermediate space that encompasses the worst and the best of the two worlds. In this issue, a detailed timeline accounts for the facts that have taken place in the three contexts during the last 250 years.
Besides, the Is this rural? Series continues to question the identities of the territories. This new volume includes both cultural and educational buildings situated in the midst of less explored nature, as well as farms in densified urban centres -a cultured countryside and a cultivated city.
The title of this series, IS THIS RURAL?, questions the identity of the largest proportion of territory, that not occupied by cities, that which is out there, that which traditionally used to be known as the countryside.
Are there still differences between urban and rural, or are the boundaries increasingly blurred?
How is architectural design affected by the absence of unequivocal identities?
We have chosen 12 actions and situated them within their environment, taking.
Currently, the basic premises of collective dwellings are also being reformulated and they are becoming more flexible and indifferent. Their situation within the urban environment is less important due to the fragmentation and dissolution of contemporary cities. The offer is enhanced by a multiplicity of opportunities. Examples and solutions have merged together and functional separations fade away in the mist of postmodernity. There is no clear separation between different areas. The dispers.
"As Javier recalls in his Autumn 2004 diary we made the round trip from Tokyo to Sendai and back in a morning, just to see the Mediatheque by Toyo Ito. The high speed trains enable this but I could not tell you anything about Sendai.